Recycled Animal Art
Driven by a combination of her passion for fitting odd shapes together and a sympathy toward discarded objects, Japanese artist, Sayaka Ganz creates animals from thrift store plastics. She only select objects that have been used and discarded. She believes the best way for artists to help reduce waste is to show how beautiful the materials can be and what can be done with them.
(via notevensurewhy)
My son, who is generally a reluctant reader, really loves the book Dragon Puncher by James Kochalka. And when I say “love”, I mean the white hot laser focus passion that only a kid on the Autism Spectrum seems able to achieve.
Another thing my son is reluctant to do is write. He’s worked hard with occupational therapists to overcome some fairly intense fine motor skill delays, and after years of effort, is able to write legibly. But he doesn’t like to do it. Ever.
So I was surprised (and thrilled) when he said he wanted to write a letter to the author of Dagon Puncher. He did the whole thing himself, only asking for a bit of help with spelling, an envelope, and a stamp. Then we mailed it off. And more or less forgot about it.
But when we got back from Spring Break vacation the other day, there was a reply letter waiting for him with a hand-drawn picture, stickers, and a fun little map for Kochalka’s other series, Johnny Boo. Now, my son is not given to a lot of outward display of enthusiasm, but if you look in that second picture, you can see his little secret smirk, which is what he does when he’s so excited about something that he can’t stop himself from smiling at least just a little. For those of you unfamiliar with Dragon Puncher, the hero’s weapon of choice is a wooden spoon called “Spoony”. That night, my son took a wooden spoon to bed with him. For me, that says it all.
I don’t know if this is one of those things that sticks with him forever. I hope so. But I tell you what, it’s sticking with me. As a father and as an author. Every time I’m tempted to rush through fan correspondence, I’m going to think of the moment my son opened the letter from his favorite author.
This made my day!
(via rafaelfajardo)
Ismail Bahri - Blood Ink (2009)
Tiny, careful droplets of black ink “drawing” the pores and wrinkles of the artist’s subjects, like traces of time. (x)
Parliamentary Chambers, by Ana Filipovic, 2012, within Cultures of Assembly, Architecture + Critical Spatial Practice, Städelschule Frankfurt:
“The circular shape is one, which was primarily designed to encourage the politics of consensus among political parties rather than confrontation. The design is used in most European countries (and hence was adopted by the European Parliament) and the United States. The equality in its shape—the equal distance from the speaker, for example—is being used whenever democratic dialogue is anticipated. In contrast, the Westminster system, in which the government and opposition parties face each other on opposing sets of benches, points at an interesting potential: the exploration and exacerbation of spatial confrontation and conflict as a form of agonistic ground condition. This research questions the seemingly causal relationship between the spaces of parliamentary chambers and the system they represent.”(via deconcrete)
Marina Abramovic and Ulay started an intense love story in the 70s, performing art out of the van they lived in. When they felt the relationship had run its course, they decided to walk the Great Wall of China, each from one end, meeting for one last big hug in the middle and never seeing each other again. At her 2010 MoMa retrospective Marina performed ‘The Artist Is Present’ as part of the show, a minute of silence with each stranger who sat in front of her. Ulay arrived without her knowing it and this is what happened.
(Source: mydearregulus, via theotherway)





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